By Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad
This publication constitutes the completely refereed post-conference of the eleventh overseas Symposium on computing device track Modeling and Retrieval, CMMR 2015, held in Plymouth, united kingdom, in June 2015. The 30 complete papers provided have been conscientiously reviewed and chosen from 126 submissions. This year’s put up symposium variation comprises peer-reviewed and revised articles established round the convention topic “Music, brain, and Embodiment”. it really is divided into 6 sections dedicated to quite a few sound and expertise concerns with a specific emphasis on functionality, song new release, composition, research and knowledge retrieval, in addition to kinfolk among sound, movement and gestures and human notion and culture.
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Additional info for Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers
Roz´e et al. degraded with the postural constraint: Deprived of their postural freedom of movement, most cellists produce a shift in spectral energy towards higher frequencies (increase of the TRIratio), which results in a more metallic and harsh sound and apply a smoother attack (decrease of the ATS). Note that for the legato playing mode, a stronger decrease of ATS and a stronger increase of the TRIratio can be observed than in the detached mode. This might be due to the large bowing movements used in the legato mode and the transition between E3 and the three following notes, that necessitates a quicker pulling of the bow on the E3 than in the detached mode.
05∗∗ ). 12. 05∗ ). Discussion. The inﬂuence of the factors postural condition and playing mode on the standard deviation of rhythmical ﬂuctuations can be observed in the left part of Fig. 7. Metrical deviations are known to be important for the musician’s expressivity. In the normal playing situation, the cellists used certain timing variations to communicate their expressive interpretation of the musical structure along the four consecutive notes. The results of the ANOVA analyses revealed that in average, the cellists tended to produce more rhythmical ﬂuctuations between the notes while being posturally fully-constrained (approximately 4 frames more (32 ms) around the mean of their IOI deviations), than in 38 J.
The two main ellipse orientations are computed by a principal component regression on the COP centered data. This process results in a pair of orthogonal components standing for the 2 trigonometrical angles of 28 J. Roz´e et al. the semi-major and semi-minor axes. The ﬁrst component (the angle of the semi-major axis) characterizes the main direction of the postural displacement. COP Ellipse Flatness. The ﬂatness of the ellipse was computed from its eccentricity, a measure obtained from the ratio between its semi-major and semi-minor axes, which provide information on how circular the ellipse is.
Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers by Richard Kronland-Martinet, Mitsuko Aramaki, Sølvi Ystad