By Hendrik Edelman
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Extra resources for International Publishing in the Netherlands, 1933-1945 (Liberty of the Written Word)
The sudden transition from Kiepenheuer to Querido was illustrated by the publication of Gustav Regler’s new novel Der verlorene Sohn. Regler (1898–1963) was a journalist and novelist with strong communist views. His book had already been set in type for Kiepenheuer by Thieme in Nijmegen when it became impossible to issue it in Germany. Querido bought the printed sheets and released the two thousand copies with a new title page. From the start, Landshoff, with the encouragement of Querido, paid much attention to the physical appearance of the books.
Opposite to the Hugenberg empire on the political front was the firm of Ullstein. Its influence in newspapers and magazines was largely urban and much more cosmopolitan. Its book publishing arm included the best-selling authors Vicki Baum and Ludwig Wolff, whose books were first serialized in the various Ullstein magazines. Towards the end of the decade, sales of books had declined. The financial crisis of 1929 also had a strong impact on the German market, which the publishers sought to counter with a deluge of cheap books.
From the start Querido was assisted by a remarkable and talented young woman, Alice van Nahuys (1896–1967). Daughter of Dutch parents, a Jewish mother and a naval officer, she had lived in Belgium for a few years before returning to the Netherlands as a war refugee in 1914. She met Querido when she worked in an Amsterdam bookstore and visited De Bijenkorf where Querido then worked. A close professional, as well as an intimate personal, relationship developed despite the considerable age difference, especially after Alice moved in with the Querido family in the suburban village of Laren.
International Publishing in the Netherlands, 1933-1945 (Liberty of the Written Word) by Hendrik Edelman